LIVE TRANSMISSION: movement of ARTISTS, TECHNICIANS and VOLUNTEERS during NIPAF 01 rehearsal in Kid Ailack Hall / Tokyo, Japan / 5 March 2001
“I was invited to participate in a performance art festival in Japan. The group travelled to three cities. When we were in Tokyo, each artist was scheduled to show the technicians and volunteers what was required for his or her performance that evening. I decided to do a time-based performance tracking the movement of everyone during the 4 hour setup process. I sat in the bleachers facing the stage and tracked all the movement I saw before me for the full four hours.” – Morgan O’Hara
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